Esto es China

Three styles of architecture are predominant in urban Beijing. First, there is the traditional architecture of imperial China, perhaps best exemplified by the massive Tian’anmen (Gate of Heavenly Peace), which remains the People’s Republic of China’s trademark edifice, the Forbidden City, the Imperial Ancestral Temple and the Temple of Heaven. Next, there is what is sometimes referred to as the «Sino-Sov» style, with structures tending to be boxy and sometimes poorly constructed, which were built between the 1950s and the 1970s. Finally, there are much more modern architectural forms, most noticeably in the area of the Beijing CBD and Beijing Financial Street.

In the early 21st century, Beijing has witnessed tremendous growth of new building constructions, exhibiting various modern styles from international designers. A mixture of both 1950s design and neofuturistic style of architecture can be seen at the 798 Art Zone, which mixes the old with the new.

Beijing is famous for its siheyuans, a type of residence where a common courtyard is shared by the surrounding buildings. Among the more grand examples are the Prince Gong Mansion and Residence of Soong Ching-ling. These courtyards are usually connected by alleys called hutongs. The hutongs are generally straight and run east to west so that doorways face north and south for good Feng Shui. They vary in width; some are so narrow only a few pedestrians can pass through at a time. Once ubiquitous in Beijing, siheyuans and hutongs are rapidly disappearing, as entire city blocks of hutongs are replaced by high-rise buildings. Residents of the hutongs are entitled to live in the new buildings in apartments of at least the same size as their former residences. Many complain, however, that the traditional sense of community and street life of the hutongs cannot be replaced, and these properties are often government owned.